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      Review
        and photos by Ian Pollard
      
         
        
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CAMBRIDGE ROCK FESTIVAL 
      Barton, Cambridgeshire 6-9 August
      2009 
      
         
        
          
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            Thursday, 6th August 
              
            I 
            managed to see four bands on Wet Thursday (as it will surely become 
            known) starting with the main stage opener Led Zep Too with 
            their spot-on re-enactment of a classic period Zeppelin show. 
             
            The 
            clothes, hair styles, mannerisms and most importantly of course the 
            music were a dead ringer for the real thing (as in Led Zeppelin not 
            the disco band!!!) and they ran through classic after classic 
            including 'Since I've Been Loving You', 'No Quarter', 'Whole Lotta 
            Love' and a blistering 'Rock and Roll'. 
             
            A 
            rocking start to the festival which continued on the alternative 
            stage with the excellent and energetic local rock covers band 
            Gypsy Ink, who looked great and played a strong set, with 
            amongst others excellent versions of 'Sweet Child of Mine' and 'Livin 
            On a Prayer.' 
             
            Back 
            to the main stage with another local band, this time the blues rock 
            of Split Whiskers who had the crowd dancing with a set full 
            of smoking blues. I enjoyed the set so much I completely forgot to 
            jot a few titles down but if memory serves me they included a 
            storming 'Gimme Some Lovin' 
             
              
            The 
            Pure Floyd show were next up on the main stage playing a huge 
            range of Floyd tracks, covering material from their first albums 
            right up to the The Division Bell. A great lighting display only 
            added to the effect of classics including 'Money', ' Wish You Were 
            Here', 'Take it Back' and 'Comfortably Numb.' 
             
            
            Despite the weather, I think the festival musically got off to a 
            great start. 
             
            
            Review and photos by
            Andrew Lock 
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      Friday,7 August 2009 (Day 2) 
       
      With a new venue featuring 3 large marquee stages, this year's
      Cambridge Rock Festival promises to be bigger and better than ever. Dave
      Roberts and his team of volunteers have worked wonders again in putting
      this festival on, and provided a line-up of bands sure to spark the
      interest of many. 
       
      We arrived on the Friday - fortunately missing the monsoon that had come
      close to ruining the entire festival the day before. The flood was, by all
      accounts, somewhat akin to biblical in it's proportions, and only hard
      work and dedication from all involved ensured the show would go on. 
       
      The damage
      done to the electrics and PA would have ramifications throughout the
      weekend though, with scheduled timings not even being a close
      approximation for the most part. 
      
        
      Our first
      musical entertainment is provided by brothers Alex and Rolf Tinlin.
      An unplugged set featuring acoustic guitar, mandolin and percussion, along
      with beautiful vocal harmonies. They cite a whole range of influences,
      from Bach to Zeppelin, by way of Dylan, Neil Young, and various soul
      artists. The end result is a very distinctive sound, with the bold
      harmonies to the forefront. Currently recording their second album, the
      brothers Tinlin will hopefully have a long successful career. 
      
        
      The mellow
      start to proceedings is brought to a crashing end with the arrival of 
      Kyrb Grinder. The alternative vehicle of Threshold's brilliant
      drummer, Johanne James, deliver heavy progressive metal with precision.
      Johanne also handles vocal duties, and with his kit set up centre stage,
      he has a presence second to none.  
      The steely
      gaze and flashing smile are accompanied by a wicked sense of humour. Songs
      from the album "Defiance" are all quality offerings, until power problems
      bring an unfortunate premature end to the set. 
      
        
      With the 2nd
      stage now running close to 2 hours behind schedule, we only get to see
      part of the Lost Weekend set, which is a real shame. The Halifax
      outfit, now back to a 6-piece line up with the addition of Gary "Tiny"
      Ives (all 6ft 7" of him) on keyboards, continue to excel. 
       
      Latest album
      "Fear and Innocence" has seen a move away from the heavily keyboard
      oriented AOR, and back to a classic twin-lead sound in the vein of UFO /
      Thin Lizzy. They recently added the former to the list of great bands they
      have toured with.  
      Live
      performances are always highly energetic (Dave Thompson couldn't put
      possibly more effort in) and superb. They are on top form again tonight,
      with Paul Uttley proving again what a great frontman he is. 
        
        
        
          
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            London 
            rockers Leaf Hound on the main stage were my first band of 
            the day.  Despite only making two LP's in 36 years Leaf Hound 
            won over many new fans with their style of Cream meets Bad Company 
            rock, fronted by original singer Peter French who has a fine set of 
            pipes, and deserved a much higher billing. 
            
            
            Getting into the festival spirit I missed a few bands, Praying 
            Mantis who are getting lots of critical acclaim for their latest 
            CD 'Sanctuary' played a fine set and won themselves an encore. 
            
            
            John Lees' Barclay James Harvest ended Friday night coming late 
            on stage at the stroke of midnight (a common occurence as the 
            weekend progressed).  
            
            Along 
            with original member Woolly Wolstenholme the Harvest performed a two 
            hour set. My interest started to wane a little after standing all 
            day, but they did dig out 'Summer Soldier' for the first time in 35 
            years and it started to liven up with the likes of familiar hits 
            such as 'Child Of The Universe' 'Medicine Man'& 'Mockingbird'. 
            
            Mark 
            Taylor 
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      The
      Yorkshire connection continues on the main stage now, with Mostly
      Autumn. Now with a fairly settled line up again following the return
      of Liam Davison and Iain Jennings, and the apparent full-time recruitment
      of Anne Marie Helder, the band are back to their best in the live arena.
       
        
      After last
      year's criminally short set at this same festival, they are given plenty
      of time this year to show what they are capable of. From the all out rock
      of "Answer The Question", the epic "Evergreen", the sublime "Above The
      Blue" (best vocal performance of the weekend), to the ever-present "Heroes
      Never Die"... I doubt anyone could have been disappointed. I wasn't, and
      the inclusion of "Carpe Diem" in the set just crowned it! 
        
      Final act
      for the day are one I am not particularly familiar with - John Lees'
      Barclay James Harvest. Featuring founding members John Lees and
      'Woolly' Wolstenholme, they run through a full 2-hour set (despite the
      delayed start) of their classically influenced prog.  
        
      The sound
      gremlins were in full mischief mode early in the set, but the
      front-of-house sound improved quite quickly. Apparently, the mix sent to
      Radio Caroline for their live broadcast did not improve though. Likewise,
      the on stage monitors were ropey at best - but the band did a great job
      with barely a bum note to be heard. Woolly's banter between songs was
      particularly enlightening and entertaining.  
       
      A trudge through the mud back to the campsite follows (highly treacherous
      in the dark). Fortunately, no further rain fell to worsen the situation
      and much of the mud had dried up by the following morning. 
      
      >>
      Day 3 (Saturday 8 August) 
      >>
      Day 4 (Sunday 9 August) 
      
      Photo Gallery
       
      Review 
      and photos by Ian Pollard 
      Additional reporting: Mark Taylor, Andrew Lock 
      
      Cambridge Rock Festival
      Preview 
      
      Mostly Autumn alternate view 
      
 
 
      
        
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