| 
  	     
  	    Just witnessed your
  	    best live gig?.. send us a review!
       
  	    
		ESOTERIC ANTENNA ShowcaseCamden Underworld, London 14 April 2012
 
  	     
      Esoteric 
		Antenna is the new "frontline" label from the well respected Cherry Red 
		label "Esoteric Recordings", and to promote the new label, four of the 
		label's recent melodic/prog rock signings were gathered together for 
		this showcase event at a dark, dank, and typically disgusting and filthy 
		Underworld in Camden.
 Because this was a showcase event, all the bands were given plenty of 
		stage time to show off their abilities, which meant an unusually early 
		5.30pm start for the first band, The Reasoning.
 
      We all 
		should know by now the recent trials and tribulations of the band, with 
		lead guitarist Owain Roberts mysteriously disappearing a little over a 
		month ago, and the reception they got from the 150 or so in the audience 
		when they went on stage was both heartfelt and genuinely supportive. 
      It can't be 
		easy for a band to perform when as influential a member as Owain is not 
		only missing from the line up, but from their lives too, with little 
		certainty he'll ever be seen again. That his place was ably and almost 
		un-noticeably taken by Dave Foster says much for Dave's abilities and 
		the professionalism of the rest of the band. 
		 
       
      Starting off 
		with a short instrumental intro, the band really kicked off their set 
		with the hauntingly beautiful 'Dark Angel' from the 2008 album of the 
		same name followed by 14 from the 2010 album 'Adverse Camber'. 
      Rachel 
		Cohen's vocals nicely offset by Dave Foster's guitar licks and Matt 
		Cohen's steady bass. Two newer songs then followed; the quietly melodic 
		'One by One' from the recent 'And Another Thing... EP' and the darker 
		anthem against the evils of social media 'No Friend of Mine' which saw 
		some intricate interplay between vocalist Rachel Cohen and keyboardist 
		Tony Turrell. 
		 
      The set 
		ended with two songs from the band's first album, the eponymous 
		'Awakening' and 'Aching Hunger'. For those who like a symphonic metal 
		element to their prog, there can be few better bands than The Reasoning. 
		We can all only hope that Owain is returned to his rightful place in the 
		band and that they march forward to the great success they so richly 
		deserve.
 Set List: Intro, Dark Angel, 14, One by One, No Friend of Mine, 
		Awakening & Aching Hunger
 
      
		 
      With The 
		Reasoning's set over, the crown thinned out from around 150 to barely 
		two dozen for the next band, Sanguine Hum. Given their album 
		'Diving Bell' was the first to be issued by the new label the entire set 
		consisted of songs from the album, including some not found on the 
		original download only release. 
		 
      Rising 
		phoenix-like from the ashes of The Jeff Winks Band and the Antique 
		Seeking Nuns, Sanguine Hum are a mix of Zappa meets Porcupine Tree. 
		 
      Complex 
		instrumentals fuse with off the wall lyrics to create a whole that 
		cannot be easily categorized. Very much a “marmite" band, the fact that 
		so few people hung around to listen very long to their set is perhaps 
		testament that maybe they were a touch too psychedelic for this 
		audience. 
		 
      However it 
		should be noted that all four musicians (Joff Winks on guitar and 
		vocals, Matt Baber on keyboards, Brad Waissmann on bass and drummer Paul 
		Mallyon) as well as being at the top of their game, are also moving away 
		from the Canterbury sound, with Matt and Brad now strongly involved in 
		the writing and production of the new material.
 Set List: The Trial, The Ladder, It's Pissing Don?, Dark Ages, Nothing 
		Between Us, Circus for a Dying Race, Diving Bell and Coast of Nebraska
 
       
      Third band 
		of the evening was the ever popular Panic Room, fronted by award 
		winning vocalist Anne-Marie Helder (also of Mostly Autumn) and ably 
		assisted by Paul Davies on guitars, Yatim Halimi on bass, Jonathan 
		Edwards on keyboards and Gavin John Griffiths on drums. 
		 
      Just out of 
		the recording studio and with the new album, SKIN, due in early summer, 
		the set kicked off with one of the new album's songs that had been 
		heavily trailed and well received in late 2011 gigs the band had played 
		around the country, 'Song for Tomorrow'. 
		 
      This was 
		followed by 'Freedom to Breathe', a crowd favourite from the 2010 album 
		'Satellite'. Another well trailed new song, 'Promises', followed, which 
		showed off Yatim's funky bass playing and Gavin John's drumming to great 
		effect, the two in effect duetting midway through the song as the others 
		took a step back. 
		 
      This was 
		followed by the now almost obligatory cover of ELP's 'Bitches Crystal' 
		which, as always, went down well with the heaving crowd. A quieter, more 
		relaxed flavour followed, in the shape of 'Exodus', from Anne Marie's 
		2004 solo EP “The Contact" and 'Hiding', before finishing off with the 
		uplifting 'Satellite' from the eponymous 2010 album.
 Set List: Song for Tomorrow, Freedom to Breathe, Promises, Bitches 
		Crystal, Exodus, Hiding and Satellite
 
       
      The final 
		band of a long evening/night were Tin Spirits, featuring former 
		XTC guitarist Dave Gregory. 
		 
      Starting 
		life as a covers band, they soon discovered the need to write their own 
		material, and the result was 'Wired to Earth', played in its entirety 
		and in order here tonight. 
		 
      With a nod 
		to their past history, the Genesis (Lamb Lies Down on Broadway) song 
		'Back in NYC' makes the album, sandwiched between their own 
		compositions. Once 'Wired to Earth' had been played, we had a couple of 
		covers including a reworking of Yes' 'Roundabout' before finishing off 
		with a flurry... XTC's 'Towers of London'. 
		 
      'Wired To 
		Earth' is heavily influenced by 1970s prog, especially Genesis and Yes, 
		and the interplay between Dave Gregory and Daniel Steinhardt is at times 
		mesmerising, especially so during the second part of the second song (of 
		which more later). 
		 
      Yet don't 
		think this is just a case of travelling back in time 40 years. Gregory's 
		guitar playing is a heady mix of 60s psychedelic rock and 80s "new wave" 
		choppiness brought up to date to create a compelling sound that is very 
		"now".
 The three part 'And Go' changes midway from a happy-go-lucky melody to a 
		grittier, edgier power guitar tune, with Douggie Mussard's drumming 
		sounding like thunder in the background. Dave Gregory and Daniel 
		Steinhardt almost sound as if they are duelling before Mark Kilminster's 
		vocals soar above them, bringing back the jauntier, sparkling guitar 
		work from the first movement.
 
      And so the 
		set goes on in this vein; superb individual guitar licks, crashing drum 
		beats, duels between the guitarists and soaring vocals bringing the 
		whole together. If you haven't bought the album, you should, and don't 
		delay seeing this band live, either.
 Set List: Glimmer, And Go, Back in NYC, Broken, Breathe Shallow, Old 
		Hands, Roundabout and Towers of London
 
 
 Review and 
		photos by
		Bob Singleton
 
		
		
	Photo Gallery
	
	
	
 	
 	
 	
 	
 	
	
 	
 	
 	
 	
 	
 	
	
 	
 	
 	
		 
		You can
		use the direction keys on your keyboard to navigate easily through the
		photo gallery 
 
        
| 
 | Print this page in printer-friendly format |  
 
 |