Music journalism is an activity I have been involved in for the
last eight years, during which time I have met and spoken to
many musicians whose music I literally grew up listening to.
Talking to Queensryche's frontman Geoff Tate was certainly a
dream come true for me, and his warm and pleasant approach to
our discussion made this interview far less unnerving than I
originally expected it to be.
Our conversation was mostly directed towards the release of the
20th anniversary edition of the now classic 'Empire', but other
topics such as the state of the music industry, the experience
of being attacked by insurgents in Iraq and the recordings of a
new Queensryche album were also part of the curriculum.
First of all, as I need to get this off my chest first, I
want to thank you for thirty beautiful years full of amazing
music. Your music has helped and entertained in so many
Geoff: Thank you very much!
Ok, now that the fan bit is out of the way, let us focus on
the work at hand. We are currently celebrating the 20th
anniversary of the release of 'Empire' through the release of a
special edition disc.
feels strange for me to realise that these eleven beautiful
songs have been out and about for two whole decades!
What are the feelings that you are currently experiencing by
looking back at those days and remembering all the hype and
success that surrounded this release?
Geoff: Well, you know, it is very interesting the situation when
looking back on the 'Empire' release because it is not something
that I readily do.
am not usually a person that looks back; I am usually looking
and working towards the next thing. I am trying to remember what
was happening at the time with the band and thinking what it was
that we were trying to do.
am glad that this is a record that so many people got to hear,
as it was released at a time when Rock music was very popular
and the music industry itself was a fully intact thing, working
on all cylinders, you know?
The music business today is completely different from what it
used to be. Back then, MTV was playing a lot of music and the
radio stations cross the world were promoting Rock music. So, we
were very fortunate to be in the right place at the right time
with a good album that got a lot of exposure, you know?
'Empire' was released after what I consider to be one of the
best music albums ever written, that being 'Operation Mindcrime'
of course and I know for a fact that there are many people out
there who will agree with me on this one.
How did you manage to move from a very complicated and demanding
concept like 'Operation Mindcrime' to the more straight forward
one of 'Empire' in a period of two years?
Geoff: Well, you know, that was a result of a conscious decision
that we made in order to create something different than before.
fact, the most work that we did in 'Empire' was really taking on
the parts that we had ready for our previous record and that we
didn't work with before and utilising them.
This is part of our 'deconstructing' process whereby when we
write a song we throw all our ideas at it. What we did with
'Empire' is that we threw all our ideas and then took them all
away, keeping only the strongest ideas.
became like a house of cards where you take a card away, a card
away and a card away and then you are left with exactly what you
need to keep the building stable.
That's what we did with these songs - we took all the stuff away
from them and only kept the basic building blocks intact. We
used our deconstructionist approach to song writing! And that,
really, was most of the work - tearing it all apart and finding
out what was really there!
I am not sure whether you are going to agree with me on this
one but I always felt as if 'Empire' was the first album in
which Eddie Jackson's (bass guitar) 'star' truly began to shine!
You have all contributed loads to this album, but Eddie's
performance, especially in 'Della Brown' really stands out!
Geoff: (laughs) Yeah, and that was a conscious decision between
Eddie and me to really showcase the bass guitar. What we tried
to do was to separate the bass from the guitars, getting the
bass guitar to work on its own and position itself between the
guitars and the drums.
Before, on our previous records, we had Eddie duplicating what
the guitars were doing, so yes - this was a conscious decision
that we took for 'Empire' as we wanted to make our songs sound
more interesting at that point! So yeah, you're right - that was
a great observation there!
We love Metal but we wanted to expand it and bring it
somewhere different. That has been our approach from the
very beginning, not to define ourselves by what other
people did but to define ourselves by our own criteria.
Is it fair to say that on the strength of the success of
'Empire' you began to feel more comfortable exploring different
musical styles and sounds with your music?
am not implying here that you were a conventional band before,
far from it, but 'Empire' was such a diverse release with so
many non-Metal elements in it. It must have felt quite
refreshing to know that you could do anything you wanted and
that your fans would still support you regardless.
Geoff: Hmm ...yeah, you know, one of the concepts that really
brought us together as a band in the first place was that we
didn't want to have a label trying to steer us towards a
specific musical direction.
wanted to have our own entity all together, you know, and we
figured that the only way to do that was to really bring all our
other music influences into what we do and not to rely on what
other people had done.
love Metal but we wanted to expand it and bring it somewhere
different. That has been our approach from the very beginning,
not to define ourselves by what other people did but to define
ourselves by our own criteria.
I believe that 'Empire' holds the record in the band's career
as the album with most video clips and singles in its arsenal -
I believe that they were six in total. Was that also part of the
initial plan or was such a decision made following the initial
success of the album?
Geoff: Well, this was kind of a building process that the album
just had, so many possibilities for singles to come out and
being in the right place at the right time meant that the music
industry was quite open to what we were doing.
MTV was quite enthusiastic about the band, whatever it was that
we did, and they were keen to support us in doing that. The
radio, of course, was also quite receptive of our work.
Yeah, it was a combination of being in the right place at the
right time and having released a record that was offering so
many different musical choices for a single release. I think
that if we were to release 'Empire' today, it wouldn't end up
being the big seller that it was!
Seriously? You believe that?
Geoff: Absolutely! Rock music isn't the music of the times
anymore, it is very underground and radio stations around the
world don't play Rock music nowadays as much as they did back
then. MTV is definitely not playing it either! So yeah, I don't
believe that it would be very successful at all!
That is quite a realistic approach, I guess, but a very sad
one too! What we are saying here is that it is not the quality
of music that matters, but whether there is economic support
behind a band; support that will potentially help a band fulfil
Geoff: Well, quality is something that is very subjective
anyway, you know? It is not something that everybody agrees on
as a standard thing.
Your personal 'version' of quality is most likely different than
mine and vice versa...it doesn't have much to do with that.
It's about having a song that connects with people and having a
distribution vehicle to bring that song out to as many people as
Thinking in terms of the reality of the music world, when
'Empire' came out, record companies at that time were spending a
million dollars on the promotion of a record, right? That was
ten thousand, twenty thousand, forty thousand dollars per
single, to promote that single on the radio, and we had put out
six singles on that record, so that's one hundred thousand
dollars right there in just radio promotion!
When you are talking about making a video which, at the time,
was a hundred and fifty to two hundred thousand dollars per
video, and then to get it on MTV cost a lot of money! We are
talking about a million and a half US dollars to promote a
Nowadays, record companies have as a general budget for
promotion of twenty thousand dollars! That is what they have to
spend on the promotion of an album. So, the numbers are not even
close and when it comes to sales?...a No1 selling album on the
Billboard nowadays requires twenty thousand copies to be sold
and back then it was a million copies.
you can see that the numbers are completely different. That, of
course, is also a result of downloading and pirating of songs.
There is no money in the record companies to justify a bigger
promotion campaign - there is no money to do it with, you know?
Now, I don't know how new bands are really going to make
it out there because there's no money, you know?
Well, you obviously know exactly what you are talking about
here. We, as fans, are never really aware of all these very
important conditions that enable the band to release its music.
Geoff: Yeah and, you know, it's sad because of course for me, I
remember the times when the record 'economy' was healthy, when
people were buying records and the labels had the funds to
really promote music - times when you could really go out and
tour, you know?
Now, I don't know how new bands are really going to make it out
there because there's no money, you know?
How do you get on a big tour, how do you keep touring throughout
the year with no money, you know? I don't know how this is going
to work from now on, but I feel very fortunate that we started
out when we did because we really invested a lot in touring!
go on tour and we visit thirty six countries around the world
whereas a lot of new bands only tour in the United States or
they only tour in the country where they're from - they cannot
get out world-wide. We are indeed very fortunate to be able to
Geoff, in lyrical terms, 'Empire' as an album focused on some
really important topics, all of which were really prevalent at
the time, with songs like 'Best I Can' and 'Empire' acquiring a
the message that you felt the need to convey back in 1990 still
relevant today? Have things changed at all, either for the
better or for worse?
Geoff: (laughs) Well, I guess that they have, depending on how
you look at it!
There was a song called 'Resistance' on the 'Empire' album which
was about environmentalism and, on that subject, yes - things
have changed definitely a lot and for the better.
There are still a lot of big issues with different kinds of
pollution these days, as opposed to then.
'Empire' the song dealt with issues like gang warfare and drugs
and how the police deals with that and in that situation nothing
has really changed!
There is still a war going on out there, you know? 'Best I Can'
was a situation of us writing about handicapped people and their
determination to reach their goals. A lot of people really
embraced that song, people with serious disadvantages, and we
are happy about that as it was a rallying song to get behind of
and kind of inspired them to seek their goals and move in the
Yeah, you know, it's funny when you look back and you see what
the subject matter is, compare it with today and see what has
and what hasn't changed (laughs). Some things have and some
Talking about war, I read quite recently that you've
experienced a very dangerous and unique experience while touring
in Iraq and performing for the US troops there! The base where
you were staying came under attack, right?
Geoff: Yeah! We were there for two weeks and we went to many
different military bases around the country in order to perform
for the troops and it was an amazing experience!
were flying everywhere on military transport planes and the
military treated us incredibly well. We went all around the
bases and saw all the different things that they do with
explosives, training with weapons and going out on
reconnaissance missions with helicopters in often hostile areas.
had an amazing experience living the life of a soldier which was
a very interesting task having written the 'American Soldier'
(2009) album. I wish we could have gone before we wrote the
record as we could have written the album from a more accurate
But yeah, we had a great time and we had one unfortunate
situation where the base we were at was attacked twice, the same
base, in one day!
Nobody was injured from us, as a building was in the way when
the motors went off and took the majority of the blast!
was pretty scary, you know, being in a hostile environment and
having the feeling that the ground is shaking around you,
buildings are falling down and feeling that kind of panic that
soldiers feel every day! I really have a lot of respect for
people that serve there and experience that kind of stuff!
It kind of makes you realise how fortunate you are that you
don't have to deal with things like that - that our everyday
reality is so much different from theirs!
Geoff: Yeah, I feel very fortunate to predominantly live in a
very safe environment. Even though we travel to a lot of
different places and experience a lot of different things, I
have never really felt threatened in any place that I have been.
Maybe I just don't visit the rough areas you know (laughs)...I
don't know. I felt safe everywhere, even when we visited Iraq -
I only felt unnerved that one day, but was pretty safe
Geoff, back to 'Empire'! Do you have any plans to go on tour
for the promotion of this 20th anniversary reissue? Maybe
perhaps perform the album in its entirety, something that many
of your fans will really appreciate?
Looking on your website, I saw that you have only really
announced two dates so far, both of which are in the States.
Geoff: Those two are the last dates that we have for the year.
We are not really promoting this reissue from a live band point
have done lots and lots of interviews, something like four or
five interviews per day, this month, but we will not be doing
any live dates.
are actually now working on a new album and for which we have a
release date in the spring of 2011. We have recently signed an
album deal with Roadrunner records so we will be releasing that
album with them in spring - a period that coincides with the
band's thirty-year anniversary!
So, we are going to have a new album and a tour to support that,
so we will be playing songs from all our releases in celebration
of the anniversary!
And please, please tell me that you re also going to be
visiting the UK!
Geoff: Oh yeah, we most definitely will!
Excellent, as I have seen you a few times live and it has
always been an amazing experience for me - one that I want to
relive time and time again!
Geoff: That's good to hear!
Geoff, I have taken full advantage of your kindness by
significantly exceeded the allocated time for this interview, so
thank you for that!
hope that everything you do as a band meets is always blessed
with success and thank you once more for creating unique and
amazing music for people like me to enjoy! I hope you will be
around for years and years to come and pledge to fully support
you on all your endeavours!
Geoff: Oh, thank you for all your compliments. They are truly
heartfelt and I really appreciate that! I am looking forward to
talking with you again!
Queensryche 'Empire' (20th Anniversary Edition) is released on EMI,
Deluxe 2CD and Digital Packages Feature Remastered Original
Album Plus 13 Bonus Tracks, Including 10 Previously Unreleased
Interview © November
2010 John Stefanis
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