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REED/4Bitten, Moho Live, Manchester
time we saw 4Bitten they were supporting Dan Reed but playing -
like Dan - an acoustic set.
It was immediately apparent that this Greek band had something special,
not least strong material. A throw-away quote on their poster comparing
them to The Answer and Black Stone Cherry is somewhat misleading. They
are actually more subtle than that, and their debut CD - 'No More Lies'
- is well worth investigating.
American-Greek front-person Fofi packs a fair vocal punch and
last time paid tribute to one of her major influences Janis Joplin. This
time, there was the band's rendition of Pat Benatar's 'Heartbreaker',
and Benatar is not a bad reference point for what is basically ballsy,
funky and at times metallic rock courtesy of guitarist George Maroulis.
The band play a few dates in their own right in June and the Manchester
SOS Festival in July when they should make a few more converts.
When I spoke
with Dan Reed when he toured in April 2009 it was evident that
the acoustic approach was experimental, a toe in the water if you like,
and that he was gearing up to a more electric set with band later
that year. There was, though, the revelation that his core Dan Reed
Network songs really lent themselves to the pared-back acoustic
And this time, with electric band in tow, he further confirmed the
strength of those songs. Starting with 'Cruise Together' it was so
slowed down and slinky it took you somewhat unawares before you
registered its origins on the classic 'Slam' album of 1989.
And of course this was further repeated with 'Rainbow Child' and 'I'm So
Sorry'. Both these songs gave guitarist Rob Daiker the chance to
stretch out on the solo (Rob had earlier entertained us with a short
interlude of his own brand of superior singer songwriter pop rock).
also a quite stunning version of 'Holy Diver' by way of tribute to the
late great Ronnie James. Frankly anyone's songbook would be safe
in Dan Reed's hands, not least his own.
this tour was a chance to showcase the new album 'Coming Up For Air' and
the more uptempo songs brought to mind Bruce Hornsby in 'The Way It Is'
mode, such as the title track and 'Brave New World'.
It seems that Dan has mellowed with age and there is a serenity and
humility about his performance that probably comes from great success
mixed with great excess, and then extended recess.
Chilled and laid back is the groove, songs made for couples in love who
lap up every nuance, such as in 'She's Not You' and 'Long Way To Go'
from the overlooked third Network album 'Heat'. For those, like myself,
who recall a slightly more funky and metallic Dan this is all something
of a culture shock although a pleasant culture shock it has to be said.
even with his electric band in tow, it seems the only way now to
hear a full-on live version of the classic 'Tiger In A Dress' is to dig out the
coloured vinyl 12 inch version of 'Lover'.
and photos by David Randall
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