consecutive Festival weekends, could I possibly contemplate going for
number 4 when I get a last minute invite to the great Cambridge Rock
Festival? Ah, go on then.
me, I don't get to the site in time for Chantel McGregor's early
set today, which sounds like it's my loss because the performance was on
everyone's lips during the course of the day and she received a five
minute ovation at the end of the show. Luckily I did get to see her play
a short acoustic set at the end very end of the night on the smaller
stage and she was a delight.
Four Wheel Drive's brand of ballsy, high voltage rock'n'roll is
as tight as their trousers. This is a young band with a no frills, old
school rock'n'roll attitude. Full on rockers like Six Foot Poster and
High Roller get the crowd going and the beer flowing, Big Fat and Ugly
throws a bit of funk into the mix in the vein of Aerosmith, and Take A
Drag gives it some old school boogie rock in a big way. Currently
plugging their debut album, 'High Roller', Four Wheel Drive are a good,
unpretentious, full on rock'n'roll band with some strong songs. They get
a good reception here today.
Free tribute Freeway are up next, and although I wouldn't
normally be too keen to waste much time on tribute bands, this band were
the 40th anniversary of the Isle Of Wight Festival, Freeway replicate
the entire Free set from that festival. Paul Rodgers is a tough vocalist
to copy, but Geordie vocalist Paul Smith pulls it off superbly. If you
like Free, which I do, check this lot out.
The Cambridge Rock Festival would not be the Cambridge Rock Festival
without Del Bromham and Stray. Del has survived in this game now
for over 40 years for one reason. He's good. A master craftsman on the
guitar, this man knows how to give a rock crowd what they want.
to hear old stray classics like Jericho in the set, but this isn't a
band that relies on past glories. With the new album Valhalla about to
get an official release on Angel Air Records, today's set features
several strong tracks from that album. Move A Mountain, Free At Last and
Harry Farr prove Bromham can still pen a classy rock tune.
classic All In Your Mind finishes the set in fine style, with Del,
resplendent in Stetson hat, lassoing his guitar as it hangs from the
confess to knowing too much about Larry Miller before today's
performance. I found out afterwards that he had performed here last year
in the Blues tent, benefiting from a huge crowd caused by the technical
hiccups on the main stage, and blew the place apart.
on the main stage early Saturday evening, and guess what? He blows the
place apart again. Larry Miller is an exploding ball of heavy blues
energy very much in the vein of Rory Gallagher. He's a showman, an
exceptional guitar player, and has the songs and band to go with it.
know any of the songs, and didn't really care what they were called, as
this was a barnstorming performance from start to finish. Perhaps the
void left by Rory Gallagher can now be partially filled. Joe
Bonamassa watch out, there's another new blues hero snapping at your
heels. The crowd reaction here to his performance was ecstatic and
this had to go down as best set of the day.
As founding members of Saxon, one of Britain's great Heavy Metal bands,
and having been part of that band during it's glory years in the 80's,
Graham Oliver and Steve Dawson have a wealth of the finest Saxon songs
to choose from in today's Oliver Dawson Saxon set.
off with a couple of more obscure ones though, with Rock'n'Roll Gypsy
and Red Line setting the tone. Real Saxon classics like 747, Princess Of
the Night, Wheels Of Steel, Motorcycle Man and Bands Played On all
feature tonight, but it's not just about reeling off all of Saxon's old
hits. Dallas 1pm and The Eagle Has Landed, two epics not performed that
often by the current Saxon, are the highlight of the set for me.
But it's not
just about old Saxon songs either. New ODS tracks such as Whipping Boy,
Victim You and Motorbiker prove that this band come come up with some
rifftastic, quality HM songs of their own.
Ward is no Biff clone by any means. Looking like an 80's glam version of
Iggy Pop, he stamps his own style and personality on the new songs and
the old ones too. I was particularly impressed with how he handled the
vocals on mega-Saxon hit 747, giving it a whole new flavour. Like
catching up with old friends, it was great to see Oliver and Dawson
still giving it some good old Heavy Metal thunder after all these years.
Micky Moody and Neil Murray are, of course, original members of
the classic early, and by far still the best, version of Whitesnake.
They wanted to be billed as Moody Murray Whitesnake tonight, but thanks
to some kindly legal action from Mr. Coverdale, they have to resort to
Monsters Of British Rock instead.
Thunder's Harry James on drums, Laurie Wisefield (formerly Wishbone Ash)
and Chris Ousey (Heartland) on vocals, this is a pretty heavyweight line
up. None of your post 1987 Poodlesnake nonsense here, this is pure
old school Whitesnake.
Come On and Walking In The Shadow of The Blues, memories of 'Live In The
Heart Of The City' come flooding back. Whitesnake connoisseurs get a
treat with the grossly underrated Hit'n'Run and Belgian Tom's Hat Trick,
and all the hits are there too - Ready and Willing, Don't Break My Heart
Again, Crying In The Rain. Thunder's On My Radio also features.
guitar playing is still great, and Murray is as rock solid as ever.
Vocalist Chris Ousey's vocals have a cleaner, almost AOR feel to them in
places, and he manages to stamp his identity on the songs.
Obviously, Coverdale, Lord and Paice being up there with Moody, Murray &
Marsden would be a whole different prospect, but this is as close as
you're going to get for now at least, and any fan of old school
Whitesnake would enjoy this.
it's Aint No Love In The Heart Of The City and Fool For Your Loving for
the encores, and everyone's happy. This was a really enjoyable set,
although they don't quite seem to be firing on all cylinders yet. This
is pretty early days for this project and I think the best is yet to